Art and Craft
Wednesday, March 18, 2026 →
I’m watching the feminist writer scene go hard on some recent books: Jamilah Lemieux’s Black. Single. Mother. and Lindy West’s Adult Braces.
Both books were published on March 10, and both authors are talented, with impressive bylines, with significant followings baked in. Incidentally, they come from the same cohort we loosely refer to as “feminist blogging,” though both would probably bristle at the description. And both use autoethnographic methods to leverage their personal lives to tell bigger stories about social, cultural and economic dynamics (a common method among feminists, where the personal is often made explicitly political). Lemieux goes further by including a series of essays by other Black single mothers at the end of her book, expanding the frame from memoir into something more collective, a full bloom.
West’s book has gone ultra viral over the last few weeks while Lemieux’s has found significantly less footing. West’s work is being spectacularized in real time, while Lemieux’s support has been mostly grassroots, respectful (thankfully), and largely limited to Black media outlets and NPR. This reproduces one of the oldest patterns in feminist media: a white woman’s confessional work circulates as universal or spectacular (West is being treated like a spectacle currently, which is great for sales and visibility but comes with negative trade-offs), while a Black woman doing rigorous, arguably more structurally ambitious work gets categorized as niche, an outlier. That this is happening within the very audience that would generally name and critique this dynamic in any other context makes it worth sitting with.
While I respect both authors and their bodies of work, I am looking forward to Lemieux’s book because I know firsthand how difficult it is to get a publisher and an audience for serious, foundational work like this. I suspect it will prove relevant long after the viral moment is over.
Wednesday, March 18, 2026 →
Rapper Afroman is going ultra viral this week as his “Lemon Pound Cake” trial plays out in the news. He captured the raid on security cameras in his home and used the footage in a series of songs, videos and merch. He ultimately did not face charges after the search, and argues (with evidence) that the police broke his door and stole $400, which provides the platform and substance for everything that followed. He argues the police shouldn’t have been there at all, and didn’t follow protocol when they were, and that as a citizen and artist he’s expressing his feelings about it in his preferred medium. Is this a winning legal strategy? Time will tell.
In the meantime he’s winning at public opinion. The trial is shaping up in the public view as a defamation vs. free speech trial, with the artist’s prolific work about this no-knock raid, itself arguably unethical, performed at his house held up as harassment by the officers who did the job. True crime, legal experts and court watcher accounts are going gangbusters providing cultural and legal analysis alongside video of court testimony. It helps that the court footage is a rich text — both hilarious and revealing.
Meanwhile: another first amendment case in and around rap lyrics is playing out now. A brief history of rap and the First Amendment.
Tuesday, March 3, 2026 →
Ruling: AI art is not copyrightable.
Wednesday, March 6, 2024 →
Also in arts and crafts: On the revival of blacksmithing in Kentucky.
Wednesday, March 6, 2024
The internet says Joann fabrics is going to declare bankruptcy, putting a huge market of individual crafters without access to in-person retail craft spaces into a tailspin. It’s likely they will ask their creditors to restructure their debt, making them able to keep some stores open. The whole market relies heavily on in-person shopping (it’s a textural and sensory shopping experience, which is the point!) and hasn’t pivoted well to e-commerce.
This is one of my favorite pet subjects. Globally, the arts and crafts market overwhelmingly caters to women and children and it’s HUGE, commanding a very dedicated and loyal customer base. And still, it struggles.
Despite an influx of crafters during the shutdown, retail craft stores have struggled to strike a balance between sustainable e-commerce and in-person retail strategies. Other issues: For months after the pandemic, the Joann’s in my neighborhood struggled to keep the place stocked and staffed, exacerbated by skyrocketing shipping costs and shifts in the retail worker market after the shutdowns. Kids went back to school, cooling the market for arts and crafts activities on which to spend their time. And with lagging incomes and cost of living increases eating into people’s spending money, customers just don’t have the bandwidth they may be used to.
In my experience, customers don’t love shopping at a Michaels or a Joann’s, but they appreciate the ability to get what they need, mostly on demand, and to do so in-person where you can handle the materials before you buy them. Fiber arts people, for example, put a lot of importance on the weight, texture and color of their tools and materials - and for good reason! Pleasant tools make for a pleasant experience - and for pleasant outcomes. Indie retailers corner this market by keeping inventory low, building relationships with customers, creating affinity using social media marketing and by nurturing community with digital learning and forums. Crafters from around the world can share tricks, tools, patterns and finished items with like-minded people. The large-scale retailers can’t compete with that and haven’t really tried.
It’s unclear what’s next, but I’m thinking of all the people who live in places that can’t sustain a standalone fabric or yarn store. Rural makers can sometimes find tools and materials in resale markets like Facebook Marketplace, and sometimes you can find decent stuff at the local flea, or at specialty shop, such as a small machine repair shop that works on sewing machines. A lot of those folks won’t have a store to go to, and will have to travel to shop in person or resort to online retailers that don’t meet their needs.
Thursday, February 22, 2024
I finished my latest quilt on my birthday, a Halloween quilt made from precuts (no pattern) that I started in 2021? 2022? I don’t know how old it is. It’s been languishing.
I don’t love shoving a huge quilt through my lil sewing machine, so I still hand quilt these puppies using 6-strand embroidery floss. It’s hard on my hands but gives the final quilt so much texture and weight.
These photos are of the quilt fresh out of the washing machine. Super crinkly and cat-approved.
Thursday, November 23, 2023
I was invited to submit to the pop culture fiber craft show at Gallery 1988 again this year. Last year I sold a large Kris Jenner meme quilt. I was delighted to be included and nervous about how my work would be received, and was chuffed to be one of the first artists whose work sold.
I immediately took that money and bought a rigid hettle loom. I had recently taken a class and loved it, and also needed a new way to use up some of my growing yarn stash.*
I’ve had the loom in a box since this summer and finally got it put together this week.
It took me a book, several hours and Youtube videos to properly dress the loom, and I got it mostly put together - with some tension issues, but good enough to start weaving - last night. I would guess I’ve had the yarn I put on it for twenty years, and it feels good to finally put it to use while I get started.
I’m still debating what to do for this year’s show. I want to do a Dril quote, but I’m also thinking of something more commercial. 🧶
Friday, November 17, 2023 →
I’m v excited about the PJ Harvey Tiny Desk concert out today. 🎵
PJ Harvey is one of my favorite musicians because she is a weirdo and an artist in the same vein as a Kate Bush, or even a Bob Dylan, who concentrates on mythology, atmosphere, artistry and sense of place. For a lot of my life, my fav album was “Rid of Me.” It was present in a lot of formative moments as a kid and still resonates for me as an adult, despite some of its flourishes not aging well. As an adult, “Let England Shake” genuinely moved me. She draws on music and poetry traditions to explore what it means for England to be an empire, sitting atop a throne of bones and bloodshed. It’s ambitious and dark and sounds incredible, in part thanks to her use of the autoharp (yes, seriously).
She’s also among the artists who made a hard left in my musical interests as a kid, when she and John Parish released “Dance Hall at Louse Point.” This album was called career suicide when it came out because it is so atonal and avant garde. As an album, listening from beginning to end, it’s delightfully sinister. It could be a sister or a cousin album to Nick Cave’s “Murder Ballads.”
Monday, November 6, 2023
Created some artsy fartsy rules for myself where I have to finish something old before I start something new, just to keep some momentum going on existing projects.
I have several outstanding embroidery, quilting, knitting AND crochet projects, and a loom I refuse to assemble until I knock out one or two of these other ones. My two biggest priorities are a giant garter stitch shawl that I began pre-pandemic and really want to finish because it’s so beautiful - and so boring to knit - and a gigantic crochet mosaic blanket that is teaching me the ins and outs of crochet. After that, some half-hearted quilt pieces, a wholecloth quilt and two flimsies that need to be quilted and bound. And some lingering embroidery projects and a head full of new ideas. My friend gave me some antique glass she’d like me to engrave this winter.
Meanwhile I finished a hat for the kiddo last night and she was so pumped she wore it to school this morning. 🧶
Tuesday, October 24, 2023 →
🐱 Testing video. This is a zine I started doodling, depicting my cat’s favorite things.
Tuesday, October 24, 2023 →
My daughter is into block printing at the moment, so I am too. I started carving this shrimp past weekend without a plan, and now I wish I had some background to it, so I’m going to play with making a second stamp that implies water. A shrimp’s gotta shkrimp. 🎨
