AI

I’m seeing grunge icons L7 in concert with Amyl and the Sniffers this summer and have been reading a lot about the ’90s indie rock era in the meantime. One frame I keep encountering positions grunge as regional punk musicians navigating a global, corporate pop mainstream – awkward, crass and vulgar, but in the big leagues all the same. Reading the Auf der Maur bio reminded me that a lot of the punk scene was steeped in ideas about social roles and archetypes and oriented around upending them – or at least giving them a healthy challenge. This subculture was also populated by poets and artists in the classical sense. The retro polish around ’90s pop culture has flattened that texture, but it was genuinely a thing.

The era also introduced the woman rock star, introducing women who wrote and performed with full creative authority, not just as muses, groupies or singers. The reception from fans and critics was mixed, and the discourse around Courtney Love in particular was gross and volatile. Most of the positions she was vilified for read as entirely unremarkable today. I was a teenager during all of this, too young to meaningfully participate, but the aesthetic dominated my early adolescence. At the time I loved Tori Amos and PJ Harvey like kids now love Chappell Roan. What I forgot over time is how literary the era was, and how romantic, both in the literary sense and in relation to the New Romantics of the 1980’s. Big culture lessons for a starry-eyed teenager.

L7’s music is not that deep – it’s metal for meatheads, by design – but their politics and presence were. While poking around, I found that L7 was one of four bands featured in the 1995 documentary film Not Bad For a Girl, which was co-produced by Love and Kurt Cobain. The film focused on several all-female indie punk bands and won Best Documentary at the New York Underground Film Festival in 1996. I’ve never heard of it before now. It got middling reviews from critics then, and it’s not available streaming in full in English, unless you’re viewing it here at this dubious Google Drive link – which I will do and report back.

I’m reading about trends in book and phone bans in American public schools, and reminded that reading novels was once considered an idle and immoral pasttime, just as internet use is today. This 2016 article from JSTOR goes into the history of reading books and the fear that it “enfeebled the mind.”

A.I. is less regulated in America than sandwiches,” said Mr. Tegmark, who is also a physics professor at the Massachusetts Institute of Technology. “You can’t open a sandwich shop without having your kitchen inspected. But you can release an A.I. girlfriend for 11-year-olds and that’s fine.”

Adventures in AI: I asked a Claude agent (new Opus, Pro plan) to build a Google Doc template with multiple tabs, using an existing doc as reference. It failed three times over two days, burned thru tokens, never worked with Drive. Eventually it spat out text for me to paste into a doc I made myself.

Some initial review suggests that a staggering amount of Substack content is written by AI.

NYT writes about the surge of “slopaganda.”

Fellow Madisonians, someone pulled together a website ranking local businesses in Madison by how local they are (by what criteria, idk). In my experience, this is one way we’re likely to see AI used in the next couple of years, via prototyping and/or executing ideas that result in dynamic websites.

Digital humility stitch: A new AI tool puts typos back in your emails, so they don’t look like they were written by AI.

Centaurs and Cyborgs on the Jagged Frontier by Ethan Mollick in 2023: “On some tasks AI is immensely powerful, and on others it fails completely or subtly. And, unless you use AI a lot, you won’t know which is which.”

Last night I had dinner with a friend in tech who recently attended a training on AI and analytics, where they made the observation that we’re in the “Napster era” of artificial intelligence. It’s an imperfect comparison but useful to consider.

Anecdotally, I’ve seen two family court cases where one party submitted full AI chats — prompts and colorful complaints included — as formal filings. The complaints wouldn’t pass muster with a real lawyer, but the conflict was nurtured by AI nonetheless. One was dinged for wasting the judge’s time.

I’ve posted a couple of times about instances I’m aware of where people are using AI in pro se court cases, especially family courts. A new study shows evidence of increasing numbers in pro se cases at the federal level, exacerbating existing bottlenecks. Many trade-offs abound here.

A professor asked students to self-report AI usage on their homework, leading to lots of confusion and uproar. Points aside, it’s clear people want more clarity up front about when and whether to use LLM tools. In the meantime, treating students like they’re guilty until proven innocent is a bad MO.

Timothy Chester offers some thoughts on the place of AI-assisted software development in a modern research university, and suggests that just because you can doesn’t necessarily mean you should.

Out: Twitter on a vape. In: AI-powered crypto vape. Is this real? Who can tell anymore.

Maris Kreizman on AI pressures building in the publishing industry, particularly how it impacts writers and editors: “It’s not an ideal environment for productivity, let alone for making art.”

Watching the fallout: Fans discovered that the band Geese benefitted from a hefty marketing campaign. Folks are debating whether this makes Geese a “psy-op” or merely “sell-outs”, to use an old term of art. Meanwhile the marketing firm behind the push is getting a ton of attention in its own right.

I’m following a guy in TX who is using AI to write and illustrate children’s books whole cloth, then self-publishes using Amazon, and getting recognition in his region as a laudable children’s author. The books are categorically not good. It’s like people are rewarding his content strategy.

Tom’s Hardware on Mythos and marketing hype. Additional commentary from Michael Corn, asking whether Mythos coverage reinforces or establishes perceptions about cybersecurity.

Garbage Day on what makes something cool to Gen Z, and how this is impacted by the degradation of “pillars of coolness” in previous generations like culture rags and MTV. GD predicts that “cool” will be measured by lack of polish and “how many human beings left their house to experience it.”

What the internet was made for: A Chicago music fan secretly recorded over 10,000 live concerts from Nirvana to Sonic Youth to Spoon, and has made them all available online.

Taste the Music is a new audio series exploring why artists are driven to create. The first episode features storytelling and songwriting by friend of the blog Whitney Mann, where she chronicles her experience getting “the yips” onstage, and how she worked through it and picked up her guitar again.

Deepfake nude culture and its impact on American teens.

I once worked in a role where I keyed million dollar manufacturing orders into SAP, information that directly fed into factory specs for a manufacturing facility based in another country. Our regional office fed into a massive, global electrical engineering firm that ran on small margins (electricity delivery is a well-trod market), so our ability to deliver accurate orders on time was a differentiator in a field that is otherwise easily interrupted by chip shortages and logistics chains.

It was a big job. I learned a ton about electrical engineering, manufacturing and global logistics from a particular vantage point in North America. Our headquarters were based in Sweden, with locations around the world to support the electrical grid(s), covering both hardware and software solutions. My colleagues and I worked in positions that sat somewhere between B2B customer service, inside sales and data entry, and were expected to maintain a 99.8% accuracy rate because a single fat finger error would cascade across myriad systems, impacting real-world operations to the tune of hundreds of thousands of dollars per error.

Once (and only once), I fat-fingered a serial number during data entry which ruined an entire shipment of widgets. In response, the factory in Mexico sent the incorrect order of widgets, about five pallets, to my location in the United States so I could correct the order by hand. One by one, I had to physically remove each widget from a pallet, then from its individual shipping container, make a correction on the widget itself, and repackage each one, signing my name on each unit to ensure it was corrected by an accountable employee. I can’t recall why the issue couldn’t have been corrected on the factory floor, but it wasn’t on the menu. It was going to stay my problem.

This was the one and only factory error I made in about five years of tenure, precisely because it was so painful to correct it. The process was a little embarrassing but nobody made it especially so. Instead my coworkers up and down the org chart relayed a simple expectation: the desk workers need to pay attention to the details because the alternative is too costly. A few old-timers made sure to razz me about it in good humor, but ultimately the error was mine and the fix was mine, and the experience stuck because the whole chain of responsibility understood the stakes and reinforced the consequences. They also trusted me to stick around and continue to do my best.

During my annual review that year, I was dinged for only having a 98% accuracy rate, and I knew why that was a fair assessment.

I thought about this when I read today’s NYT piece on whether 90% accuracy is good enough for LLMs.

Related-ish: The important legacy of the Sarbanes-Oxley Act.

Poell argues AI is entangled with platform capitalism through shared infrastructure, reinforcing concentration of the market. The hype obscures local realities of adoption, putting public alternatives in the position of proving their existence alongside advocating for their place in the market.

I’m collecting mentions of the old blog while they still exist bc lot about this cohort is hagiography written well after the fact. I don’t think I saw it way back when, from the first time I “quit blogging” in 2006 by Rebecca Traister. As ever, a big part of social media is quitting social media.

Seeing a lot of discussion about trade-offs related to vibe-coding.

Angst about data center development continues to grow in the Rust Belt.

This post and the accompanying graphs have been a trending topic on social all weekend, particularly on Twitter/X, which is negatively implicated in the findings. In short, social media looks weirder than ever.

Silicon sampling is the practice of using LLMs to run surveys without talking to any people at all.